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Lest we for/get over it
https://australian.museum/learn/first-nations/unsettled/fighting-wars/lest-we-forget-over-it/Examine two of the most popular phrases said in Australia and learn why healing for First Nations peoples requires truth and proper respect to the fallen and the wronged.
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Missions, reserves and stations
https://australian.museum/learn/first-nations/unsettled/surviving-genocide/missions-reserves-stations/Uncover the long history of government control over Aboriginal and Torres Strait Islander lives and the policies of segregation and relocation.
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Winhangadurinya
https://australian.museum/learn/first-nations/unsettled/healing-nations/Winhangadurinya/Winhangadurinya is a Wiradyuri word meaning deep listening/reflecting/meditation. It's an opportunity to spend some time in the cultural practice of deep listening and to reflect upon the effects of invasion and genocide.
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Art as resistance
https://australian.museum/learn/first-nations/unsettled/continued-resistance/art-as-resistance/Through art, First Nations peoples are able to empower and elevate their voices and bring attention to issues of sovereignty, self-determination, and cultural strength.
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Cultural resilience and resistance
https://australian.museum/learn/first-nations/unsettled/continued-resistance/cultural-resilience-and-resistance/Sustaining culture through the waves of disease, violence, family removals, and discriminative government policies epitomises First Nations resilience and ingenuity.
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Terra nullius
https://australian.museum/learn/first-nations/unsettled/recognising-invasions/terra-nullius/Terra nullius is today used as a catch-all phrase to explain how Australia was founded; to justify and legitimise the dispossession, dispersal, and inhumane treatment of First Nations peoples.
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The “pygmy” myth debunked
https://australian.museum/learn/first-nations/debunking-australian-pygmy-people-myth/The “pygmy” myth is often used to dismiss the rightful place of Aboriginal peoples as the First Peoples of Australia. In this article, we challenge the myth and the assumptions behind it.
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Christine Donnelly
https://australian.museum/learn/first-nations/sydney-elders/christine-donnelly/Christine is the founder of the Aboriginal Dance Theatre in Redfern, which opened in 1979 and she is currently the CEO.
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Dulcie Flower AM
https://australian.museum/learn/first-nations/sydney-elders/dulcie-flower/Dulcie Flower is a Miri woman of the Meriam Nation from the Torres Strait Islands who was born in Cairns.
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Eric Robinson
https://australian.museum/learn/first-nations/sydney-elders/eric-robinson/Eric is a valued member of the Babana Aboriginal Men’s Group in Redfern where he is regarded as the honorary Elder.
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Machu Picchu and the Golden Empires of Peru
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Future Now
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Burra
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Minerals
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