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Dark Days: A photo essay by Brendan Beirne
https://australian.museum/learn/first-nations/dark-days-brendan-beirne/Photographs by Brendan Beirne capture the scenes of horrific atrocities committed by white settlers against Indigenous people in the 18th and 19th centuries.
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Camera Trapping
https://australian.museum/learn/news/blog/camera-trapping/From goannas and sparrows to quolls and kangaroos, citizen scientists play a key role in identifying animals from camera trap footage.
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Incredible Photographs From the Archives: Negative No.106
https://australian.museum/learn/news/blog/incredible-photographs-from-the-archives-negative-no106/A blog series investigating stories and images from the earliest collection of photographs in the Museum's history.
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Australian Geographic Nature Photographer of the Year conversation starters
https://australian.museum/learn/teachers/learning/australian-geographic-nature-photographer-of-the-year-conversation-starters/Why do you think people like taking photos of nature? Use these conversation starters for fun suggestions and prompts for how to engage with the Australian Geographic Nature Photographer of the Year exhibition.
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Brewarrina Boy
https://australian.museum/learn/first-nations/sydney-elders/brewarrina-boy/For many Indigenous artists, to take up photography as an art form was often a conscious move to counter this history of the medium.
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Honorary Pom
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-honorary-pom/They could tell you how many sheep there were in Australia, they could tell you how many cattle. Yet they couldn’t tell you how many Aboriginals there were, because we weren’t allowed to vote.
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Freshwater Saltwater
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-freshawater-saltwater/Kay Sadler was unaware that she was Aboriginal until her early twenties, making her emotional journey to connect to culture as painful as her physical pain from Marfans Syndrome.
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Maralinga
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-maralinga/In the 1950s there was British Government and the Australian Government made an agreement to have bomb testing in Australia. Not far from here. I was only a little kid.
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Sound of Silence
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-sound-of-silence/I didn’t want to accept the fact that I was deaf, ’cause I wanted to be a hearing person so I could fit in with their world.
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The Activist
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-the-activist/I am the mother of a 2-year-old boy with achondroplasia, which is the most common form of dwarfism.
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Tails from the Coasts
Special exhibition
On now -
Burra
Permanent kids learning space
10am - 4.30pm -
RELICS
Special Exhibition
Opens 16 August 2025 -
Minerals
Permanent exhibition
Open daily