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Walter Lawry Waterhouse Photograph Collection
https://australian.museum/learn/collections/museum-archives-library/photographic/walter-lawry-waterhouse-photograph-collection/A collection of glass plate negatives created by WL Waterhouse during his time with the Methodist Mission School at Davuilevu, Fiji, between 1906 and 1908.
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Photography and filming
https://australian.museum/about/organisation/media-centre/photography-filming/Video and flash photography are permitted in all galleries except Westpac Long Gallery and First Australians galleries.
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Frank Hurley in Papua
https://australian.museum/learn/cultures/pacific-collection/photographic/frank-hurley-in-papua/Frank Hurley's artistic legacy from a career spanning nearly 60 years places him among the greatest Australian photographers of the twentieth century. His images of Papua from the 1920s are a significant archive of the country's history.
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Mervyn Bishop
https://australian.museum/learn/first-nations/sydney-elders/mervyn-bishop/The Sydney Elders portrait collection was taken by renowned Aboriginal photographer, Mervyn Bishop.
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Brewarrina Boy
https://australian.museum/learn/first-nations/sydney-elders/brewarrina-boy/For many Indigenous artists, to take up photography as an art form was often a conscious move to counter this history of the medium.
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Malpractice
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-malpractice/You can’t take people’s rights away. This is our rights and our self-worth, our integrity, that people are knocking down.
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Honorary Pom
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-honorary-pom/They could tell you how many sheep there were in Australia, they could tell you how many cattle. Yet they couldn’t tell you how many Aboriginals there were, because we weren’t allowed to vote.
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Japanangka
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-japanangka/Just because we are black they look at us as one, and we don’t see it. We got our own areas to abide by the laws.
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Baryulgil
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-baryulgil/I am from Baryulgil, where the asbestos mine is. Weekends we use to be up in the mines playing in the asbestos, the dust and whatever.
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Freshwater Saltwater
https://australian.museum/learn/first-nations/unfinished-business/unfinished-business-freshawater-saltwater/Kay Sadler was unaware that she was Aboriginal until her early twenties, making her emotional journey to connect to culture as painful as her physical pain from Marfans Syndrome.
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