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Bronwyn Penrith
https://australian.museum/learn/first-nations/sydney-elders/bronwyn-penrith/Bronwyn is a Wiradjuri woman from NSW. Bronwyn is based in the Redfern community and has been a part of a number of campaigns since the 1970s, including the Tent Embassy in Canberra.
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Stolen Generations — 21st anniversary of launch of Inquiry, 17 years since report
https://australian.museum/learn/first-nations/stolen-generations/It has been 21 years since the launch of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from Their Families. Incredibly, the forced removal of Aboriginal children from their families continues to this day.
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James Cook – man, mariner, myth or monster
https://australian.museum/learn/first-nations/james-cook/2020 marks the two-hundred-and-fifty-year anniversary of James Cook’s epic voyage along the east coast of Australia in 1770. The Australian nation will be torn between Anglo celebrations and Aboriginal mourning over James Cook’s so-called discovery of Australia.
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The First Lie - the ongoing tragic legacy of Cook’s lie
https://australian.museum/learn/first-nations/the-first-lie/The artwork I have chosen to respond to is Brenda L Croft’s gelatin silver photograph, Michael Watson in Redfern on the Long March of Freedom, Justice and Hope, Invasion Day, 26 January 1988.
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Debunking the myth that Aboriginal stories are just myths: the Yamuti and the megafauna Diprotodon
https://australian.museum/learn/first-nations/yamuti/As a young Adnyamathanha kid, I was told the story about the Yamuti. The Yamuti was a very large and scary animal that specifically looked to steal little kids.
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Unsettled exhibition references
https://australian.museum/learn/first-nations/unsettled/references/Throughout the exhibition, the curators have sourced historical records to reinforce the First Nations stories told. Review the reference materials supporting the Unsettled exhibition content here.
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The Australian Museum’s Statement of Reflection
https://australian.museum/learn/first-nations/The-Australian-Museums-statement-of-reflection/Cultural institutions have a responsibility to critically reflect on history and how it influences the present.
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Learning from Aunty Fay Moseley about the Stolen Generations
https://australian.museum/learn/first-nations/aunty-fay-moseley-stolen-generations/Learn directly from the experiences of Stolen Generations survivors, such as Wiradjuri woman Aunty Fay Moseley who was taken to Cootamundra as a young girl.
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Black Cockatoo Shield
https://australian.museum/learn/first-nations/unsettled/signal-fires/black-cockatoo-shield/Shield by Uncle Noel Wellington, 2020.
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waagura (Crow) Dancer outfit
https://australian.museum/learn/first-nations/unsettled/signal-fires/waagura-crow/Dancer outfit worn by Yuin woman Ashweeni Mason as waagura (Crow) in Living Legacies by Amanda Jane Reynolds.
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Ramses & the Gold of the Pharaohs
Special exhibition
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Wansolmoana
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