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Lorblanchet, Michel. 2018. The Woman Group at Gum Tree Valley. Chapter 6
https://journals.australian.museum/lorblanchet-2018-tech-rep-aust-mus-online-27-489555/In this chapter Michel Lorblanchet investigates the Woman Group petroglyphs—"rock art" that is part of his monographic work on all the Dampier Petroglyphs published online by the Australian Museum
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Lorblanchet, Michel. 2018. The Summit of Gum Tree Valley. Chapter 7
https://journals.australian.museum/lorblanchet-2018-tech-rep-aust-mus-online-27-557668/In this chapter Michel Lorblanchet investigates the petroglyphs at the Summit of Gum Tree Valley—"rock art" that is part of his monographic work on all the Dampier Petroglyphs published online by the Australian Museum
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Lorblanchet, Michel. 2018. Petroglyphs of Dampier—general conclusions. Chapter 9
https://journals.australian.museum/lorblanchet-2018-tech-rep-aust-mus-online-27-687690/In this final chapter Michel Lorblanchet concludes his monographic work on the Dampier Petroglyphs—world heritage protected in the Murujuga National Park
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Petroglyphs of Dampier—foreword. In Archaeology and Petroglyphs of Dampier (Western Australia), an Archaeological Investigation of Skew Valley and Gum Tree Valley, ed. Graeme K. Ward and Ken Mulvaney
https://journals.australian.museum/mulvaney-2018-tech-rep-aust-mus-online-27-12/Burrup Peninsula and Murujuga National Park rock art: the Dampier Petroglyphs... a collection of works by Michel Lorblanchet edited by G. K. Ward and K. Mulvaney
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Replicas share the sparkle of archaeological discoveries
https://australian.museum/learn/news/blog/replicas-share-the-sparkle-of-archaeological-discoveries/Skilfully made obsidian replicas enable scientists and communities to benefit from and enjoy significant archaeological discoveries.
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Natural glass used for chopping tools in ancient Papua New Guinea
https://australian.museum/learn/news/blog/amri-natural-glass-used-for-chopping-tools/Axes made of glass were used to chop wood over 3000 years ago in Papua New Guinea.
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Getting to the core of things
https://australian.museum/learn/news/blog/getting-to-the-core-of-things/Physically numbering objects with registration numbers is an important way of making sure we can identify the objects in our collection.
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Australia through time
https://australian.museum/learn/teachers/learning/australia-through-time-activity/This self-led activity gives students a taste of both the cultural and natural history exhibitions at the Museum as they create their own digital story about ‘Australia through time’.
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Investigating objects
https://australian.museum/learn/teachers/first-nations-learning-resources/investigating-objects/Make predictions about archeological sites and objects based on no historical context, and question your understanding and presumptions about our shared history.
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Petroglyphs of Dampier—preface. In Archaeology and Petroglyphs of Dampier (Western Australia), an Archaeological Investigation of Skew Valley and Gum Tree Valley, ed. Graeme K. Ward and Ken Mulvaney
https://journals.australian.museum/ward-2018-tech-rep-aust-mus-online-27-58/Volume editors' (Graeme K. Ward and Ken Mulvaney) preface to collection of works by Michel Lorblanchet on the Dampier Petroglyphs
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RELICS
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